A police constable guns down a First Nations chief one snow night in Winnipeg, a tragedy that will impact the community for years to come.

The plot can be outlined as such: A young man who has always been into bull riding finds himself in a troublesome time in his life where he is getting discouraged and not being able to focus on what he's trying to accomplish. Through self-proclaimed divine intervention, this bull rider meets a group of surfers who teach him how to surf to get his mind off of things and to focus on the original feeling he had growing up as to why he began bull riding; to have fun. While his time of learning to surf is ending, they all agree that they must trust in god's plan and have faith in Jesus in order to gain inner peace to be able to focus on their career with most attention given to the bull rider and his journey to regain his focus and embrace his faith to become better at what he does.

This is James Gray's student film from the University of Southern California. A private investigator who is hired to bring a man's 16-year-old runaway daughter back home has second thoughts about his job when he sees the man beat his daughter.

Feature documentary from Louis Moir exploring the relationship between comedy and art, and the inner conflicts that lie within. Featuring the director's father Jim Moir, aka Vic Reeves, Spencer Jones, Simon Munnery, Miriam Elia and Bec Hill as they each prepare work for an exhibition.

As she considers giving up on her artistic dreams, Jamie paints a vision board that brings her success and love—only to discover that the mystery man in her painting isn't who she thinks.

This is the story behind one of the world’s most loved films; about three unlikely Australian hero-(ine)s daring to step up from the shadows in their shimmering sequined glory and be counted. It’s the story of how a low-budget Australian film about three drag queens changed the course of history and loudly and proudly brought a celebration of gay culture to the world that continues to resonate twenty years on.

After a lifetime of caregiving, 81-year-old Birthe is separated from her daughter Karen, who has Downs Syndrome. Birthe is struggling with dementia and the municipality believes that she is no longer capable of taking care of Karen, who has the mental age of an 8-year-old. On the day of Karen’s departure, Birthe is in denial about her own abilities. Why shouldn’t she be able to take proper care of her daughter?

The story of Olivia and Kristen’s romantic relationship, told through the intimate perspective of the bathroom mirror.